Archiving

There are a lot of practical reasons why keeping a record of your body of work is not just useful, but essential. Archival photos and videos can be useful support material for grants. They also can make or break your chances at staging your production at a curated festival, touring, or doing a remount. They can help grow your website and social media presence as you build a body of work.

But archiving is so much more than filming your production. You are legally required to keep certain documents for a determined length of time. Other things you might not need to keep but want to. Then there’s the physical stuff, big and small, that comes along with doing a show.

Your Archive is our history
Your history is our cumulative theatre history. Because live performance is ephemeral, we have a responsibility to record and share our stories and process in order to learn and grow as a community. There is a collective benefit to the sharing of resources, whether it be through public archives (such as libraries), published materials or collections, online platforms (like your company website and artistproducerresource.com), or educational facilities, nonprofits and institutions (such as Generator, university programs, workshops, and forums). The American Theatre Archive Project has an excellent manual outlining the benefits and considerations around public access. As you look through the list below, consider what information you want to make accessible to the public and how. Head to our resources page to see a list of places that archive performing arts.

We will mostly talk about what to keep here, but if you want to learn more about how to store what specifically, check out Storage.

You must keep:

Successful Grant Applications

Why: Tax/Audit Purposes, Future Reference, Record Retention.

How Long: Seven Years

What Form: Hard copies of the received documents.

Why Share?: Artists can share successful grant applications with younger artists as a learning resource (one to one sharing, peer mentorship)

Signed Contracts

Why: Tax/Audit Purposes, Future Reference, Record Retention.

How Long: Seven Years

What Form: Paper or electronic

Why Share?: Artists can share and compare contracts as a resource for learning and transparency (like our budget template, or during peer mentorship, workshops and forums)

Invoices and Receipts

Why: Tax/Audit Purposes, Future Reference, Record Retention.

How Long: Seven Years

What Form: Paper or electronic

Production Budgets, Box Office Reports, Annual Reports

Why: Tax/Audit Purposes, Future Reference, Record Retention.

How Long: Seven Years

What Form: Paper or electronic

Licenses and Permits

Why: Tax/Audit Purposes, Future Reference, Record Retention.

How Long: Seven Years

What Form: Paper or electronic

Certificate of incorporation, other corporate documents

Why: Tax/Audit Purposes, Future Reference, Record Retention.

How Long: Permanently (Forever)

What Form: Paper or electronic

Fundraising Records

Why: Tax/Audit Purposes, Future Reference, Record Retention.

How Long: Seven Years

What Form: Paper or electronic

Human Resources Documents*

(employment applications, personnel files, accident reports, payroll records, employee benefits records, etc.)

Why: Legal Purposes

How Long: At least 3 years

What Form: Paper or electronic

* There are more specifics that go into record retention for registered non profits. This Article on Record Keeping Obligations for Non-Profit Organizations and Registered Charities provides a great overview.

Archival Video/Production Stills

Why: Grant applications, Web content*, Applying for Festivals/Remounts or to Presenters, Promo for Touring

How Long: For as long as the material can be useful to you and/or the show has the possibility of touring/being produced again (at least 5 years is a good bet)

What Form: Electronic (cloud, external hard drive)

* with permission from performers/CAEA

Script (Production Draft)

Why: You should definitely keep a copy of the production draft (especially for original work). Even if you aren’t planning on doing the show again, you are a part of a community and our theatre history! Someone may want to do the production someday, or study it in school, or read it, or use a monologue from it. You don’t know!

How Long: Forever

What Form: Electronic (cloud, external hard drive)

Awards and Accolades

Why: Web Content, Visa Applications, Tours/Remounts, Biography

How Long: Forever

What Form: A spreadsheet with the hyperlinks and a description should be fine. As you build a body of work, you can add new sheets for each production. Store somewhere you can easily update (like Google Drive) so that it doesn’t become archaic and make adding to it part of your show post mortem a standard process.

You should probably keep:

Cash Flow, Production/Rehearsal Schedules

Why: Useful should you decide to do the show again, and/or to base future cash flows/schedules off of

How Long: Until touring/remounting the show is no longer a possibility for you, and/or until you make a better formatted cash flow or schedule spreadsheet

What Form: Electronic (cloud, external hard drive)

Press/Publicity (reviews, interviews, previews)

Why: Web content, promotional material for future productions/tours/remounts, applying for visas

How Long: Forever (the stuff that’s worth keeping)

What Form: A spreadsheet with the hyperlinks and a description should be fine. As you build a body of work, you can add new sheets for each production. Store somewhere you can easily update (like Google Drive) so that it doesn’t become archaic and make adding to it part of your show post mortem

Marketing Materials (Program, Posters, Print Materials, Digital Content)

Why: Very useful templates for touring/remounting.

How Long: Until touring/remounting the show is no longer a possibility for you

What Form: Electrionic (cloud, external hard drive)

Promotional Photos/Video

Why: Useful if touring/remounting the show (with the same cast) is a possibility for you, Web content, Support material for grant applications

How Long: Until touring/remounting the show is no longer a possibility for you and/or until the footage/quality/content stops working for you

Sound Design/Audio Files*

Why: Useful if touring/remounting the show (with the same cast) is a possibility for you*

How Long: Until touring/remounding the show is no longer a possibility for you

What Form: Electrionic (cloud, external hard drive)

Stage Management Book

The Stage Manager’s Book is a hard copy document of the production script which tracks all the cues/blocking/props throughout the show.

Why: This hard copy should be kept if touring or remounting the show is a possibility for you.

How Long: Until remounting the show is not a possibility for you, and/or at least 5 years

What Form: Hard Copy

You could keep:

Lighting Plots, Design Sketches/Models etc.*

Why: Web Content*, Useful for transferring the show into a new space (lighting plot), Incorporating the original design into future productions (in lieu of keeping original set and costume pieces), Support material for grant applications

How Long: Up to you.

What Form: Physical or Electronic - depending on how much space you have and what you want to keep.**

* with the permission of your set/lighting/costume designer
** Original models and sketches do take up physical space, so if you aren’t planning on keeping original sketches or designs, reach out to the designer to see if they would like to keep it for their own portfolio before tossing it out.

Set/Costume Pieces, Show Specific Technical Equipment

Why: If touring or remounting the show is a possibility for you, keep it if it is irreplaceable or incredibly expensive to recreate. If you aren’t doing the show again, what use does this item have for you? This may be very personal, and should be weighed against the cost of storage

How Long: Until touring/remounting the show is no longer a possibility for you, and/or it’s up to you.

What Form: Physical Storage

Non-Show Specific Technical Equipment

Why: Weigh the cost of buying/renting the equipment again vs. having to storage/pay for/live with the equipment between productions. Are you steadily building a body of work and want to invest in having these items? When is the next time you are planning on using them?

How Long: Until it is no longer useful.

What Form: Physical Storage

You do not need to keep:

  • Ticket Stubs (unless it is your receipt)

  • Hard Copies of Handbills, Posters, Programs, Old Scripts, Documents you already have stored electronically, etc.

  • Set/costume pieces that are easily replaceable and relatively inexpensive

  • Other people’s stuff post-production

More Resources

  • CRA Keeping Records Article: Information from the CRA website on what are records and who has to keep them. Essential information for preparing and archiving your income tax.

Generator

Generator is a teaching, mentoring, innovation incubator for independent artists, producers and leaders.  We are a capacity building organization located in Toronto, ON. 

http://www.GeneratorTO.com
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